{"id":139,"date":"2017-10-07T23:59:56","date_gmt":"2017-10-07T23:59:56","guid":{"rendered":"http:\/\/artinfo.is\/?p=139"},"modified":"2018-10-20T21:27:47","modified_gmt":"2018-10-20T21:27:47","slug":"milonga-at-el-cramo-in-reykjavik-7-oct-2017","status":"publish","type":"post","link":"https:\/\/artinfo.is\/is\/milonga-sets\/milonga-at-el-cramo-in-reykjavik-7-oct-2017\/","title":{"rendered":"Milonga at El Cramo in Reykjav\u00edk 7 Oct 2017"},"content":{"rendered":"

Quite an active milonga in the beginning of October. First a practica with two sets of 4 tangos \/ 4 tangos \/3 valses. Then the milonga proper, with 3 tangos \/ 3 tangos \/ 3 milongas \/ 3 tangos \/ 3 tangos \/ 3 valses. This I find suits a short 2 hour milonga well, where people get a chance to dance more versions with diverse partners.<\/p>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Name<\/th>Bandleader<\/th>Vocals<\/th>Year<\/th>Genre<\/th>Composer<\/th>\n<\/tr>\n<\/thead>\n
No quiero verte llorar<\/td>Osvaldo Fresedo<\/td>Roberto Ray<\/td>1937<\/td>Tango<\/td>c1937~ Agust\u00edn Magaldi \/ Rodolfo Sciammarella<\/td>\n<\/tr>\n
Como aquella princesa<\/td>Osvaldo Fresedo<\/td>Roberto Ray<\/td>1937<\/td>Tango<\/td>Joaquin Mora - Jos\u00e9 Maria Contursi<\/td>\n<\/tr>\n
Tel\u00f3n<\/td>Osvaldo Fresedo<\/td>Roberto Ray<\/td>1938<\/td>Tango<\/td><\/td>\n<\/tr>\n
What A Difference A Day Made<\/td>Django Reinhardt orchestra<\/td><\/td>1935<\/td>CORTINA<\/td>Maria Grever & Stanley Adams<\/td>\n<\/tr>\n
La maleva<\/td>Francisco Canaro<\/td><\/td>1938<\/td>Tango<\/td>c1922 Antonio Buglione \/ Mario Alberto Pardo<\/td>\n<\/tr>\n
Ciertos amores<\/td>Francisco Canaro<\/td><\/td>1938<\/td>Tango<\/td>c1938~ Rafael Canaro \/ Carmelo Santiago<\/td>\n<\/tr>\n
Quiero verte una vez m\u00e1s<\/td>Francisco Canaro<\/td><\/td>1939<\/td>Tango<\/td>c1938 Mario Canaro \/ Jos\u00e9 Mar\u00eda Contursi<\/td>\n<\/tr>\n
Sentimiento gaucho<\/td>Francisco Canaro<\/td><\/td>1940<\/td>Tango<\/td>c1924 Francisco Canaro & Rafael Canaro \/ Juan Andr\u00e9s Caruso<\/td>\n<\/tr>\n
Limehouse Blues<\/td>Django Reinhardt orchestra<\/td><\/td>1935<\/td>CORTINA<\/td>Phillip Braham\/Douglas Fuber<\/td>\n<\/tr>\n
Un vals<\/td>Francisco Lomuto orq<\/td>Carlos Galarce<\/td>1944<\/td>Vals<\/td>c1943~ Horacio Salg\u00e1n \/ Oscar Rubens<\/td>\n<\/tr>\n
Jugando jugando<\/td>Francisco Lomuto orq<\/td>Carlos Galarce<\/td>1944<\/td>Vals<\/td>c1944~ Miguel Cal\u00f3 \/ Oscar Rubens<\/td>\n<\/tr>\n
El d\u00eda que te fuiste<\/td>Fernando D\u00edaz (v) Francisco Lomuto<\/td>Jorge Omar<\/td>1940<\/td>Vals<\/td>c1940~ H\u00e9ctor Lomuto \/ H\u00e9ctor Lomuto<\/td>\n<\/tr>\n
Stardust<\/td>Django Reinhardt orchestra<\/td><\/td>1935<\/td>CORTINA<\/td>Hoagy Carmichael & Mitchell Parish<\/td>\n<\/tr>\n
El rey del comp\u00e1s<\/td>Juan D'Arienzo<\/td><\/td>1941<\/td>Tango<\/td>c1939~ Pr\u00edncipe Cubano \/ Pr\u00edncipe Cubano<\/td>\n<\/tr>\n
El amasijo<\/td>Juan D'Arienzo<\/td><\/td>1942<\/td>Tango<\/td>c1942~ Adolfo Rafael Avil\u00e9s<\/td>\n<\/tr>\n
El resero<\/td>Juan D'Arienzo<\/td><\/td>1941<\/td>Tango<\/td>c1941~ Raimundo Petillo<\/td>\n<\/tr>\n
El calabozo<\/td>Juan D'Arienzo<\/td><\/td>1941<\/td>Tango<\/td>c1914~ Augusto Gentile<\/td>\n<\/tr>\n
I Can't Give You Anything But Love<\/td>Django Reinhardt orchestra<\/td><\/td>1936<\/td>CORTINA<\/td>Jimmy McHugh\/Dorothy Fields<\/td>\n<\/tr>\n
Una emoci\u00f3n<\/td>Ricardo Tanturi<\/td>Enrique Campos<\/td>1943<\/td>Tango<\/td>c1943~ Ra\u00fal Kapl\u00fan \/ Jos\u00e9 Maria Su\u00f1e<\/td>\n<\/tr>\n
Que nunca me falte<\/td>Ricardo Tanturi<\/td>Enrique Campos<\/td>1943<\/td>Tango<\/td>c1937~ H\u00e9ctor Morales \/ H\u00e9ctor Marc\u00f3<\/td>\n<\/tr>\n
Malv\u00f3n<\/td>Ricardo Tanturi<\/td>Enrique Campos<\/td>1943<\/td>Tango<\/td>c1943~ Antonio Oscar Arona \/ Francisco Garc\u00eda Jim\u00e9nez<\/td>\n<\/tr>\n
Qu\u00e9 vas buscando mu\u00f1eca<\/td>Ricardo Tanturi<\/td>Enrique Campos<\/td>1943<\/td>Tango<\/td>c1943~ Jos\u00e9 Basso, Juli\u00e1n Ortiz \/ Jos\u00e9 Barreiros Baz\u00e1n<\/td>\n<\/tr>\n
The Object Of My Affection<\/td>Django Reinhardt orchestra<\/td><\/td>1935<\/td>CORTINA<\/td>Coy Poe\/Pinky Tomlin\/Jimmie Grier<\/td>\n<\/tr>\n
Flor de lino<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>1946<\/td>Vals<\/td>c1947~ H\u00e9ctor Stamponi \/ Homero Exp\u00f3sito<\/td>\n<\/tr>\n
El plebeyo<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>1947<\/td>Vals<\/td>c1947~ Felipe Pinglo Alva \/ Felipe Pinglo Alva<\/td>\n<\/tr>\n
No te olvides de m\u00ed coraz\u00f3n<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>1945<\/td>Vals<\/td>c1945~ Domingo Fabian \/ Domingo Fabian<\/td>\n<\/tr>\n
Georgia On My Mind<\/td>Django Reinhardt orchestra<\/td><\/td>1936<\/td>CORTINA<\/td>Stuart Gorrell\/Hoagy Carmichael<\/td>\n<\/tr>\n
Nobleza de arrabal<\/td>Carlos Di Sarli<\/td><\/td>1940<\/td>Tango<\/td>c1919~ Francisco Canaro \/ Juan A. Caruso<\/td>\n<\/tr>\n
El opio<\/td>Carlos Di Sarli<\/td><\/td>1940<\/td>Tango<\/td>c1915~ Francisco Canaro<\/td>\n<\/tr>\n
La cachila<\/td>Carlos Di Sarli<\/td><\/td>1941<\/td>Tango<\/td>c1919 Eduardo Arolas \/ H\u00e9ctor Polito<\/td>\n<\/tr>\n
Out Of Nowhere<\/td>Django Reinhardt<\/td><\/td>1937<\/td>CORTINA<\/td>Edward Heyman\/Johnny Green<\/td>\n<\/tr>\n
Una pena<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>1941<\/td>Tango<\/td>c1923~ Adolfo Rosquellas \/ Arturo Luis Albert<\/td>\n<\/tr>\n
Un copet\u00edn<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>1941<\/td>Tango<\/td>c1913 Juan F\u00e9lix Maglio \/ Jos\u00e9 Perrusine Fern\u00e1ndez<\/td>\n<\/tr>\n
Adi\u00f3s para siempre<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>1942<\/td>Tango<\/td>c1936~ Jos\u00e9 Mar\u00eda Rizzuti \/ Nolo L\u00f3pez<\/td>\n<\/tr>\n
Swing Guitars<\/td>Django Reinhardt orchestra<\/td><\/td>1936<\/td>CORTINA<\/td>Stephane Grapelli\/Django Reinhardt<\/td>\n<\/tr>\n
Mi Buenos Aires<\/td>Francisco Canaro orq<\/td><\/td>1938<\/td>Milonga<\/td>c1938~ Francisco Rofrano \/ Elisardo Besada<\/td>\n<\/tr>\n
Soy la milonga del centro<\/td>Francisco Canaro<\/td><\/td>1940<\/td>Milonga<\/td>c1940~ Domingo Salerno \/ Alfredo Defilpo<\/td>\n<\/tr>\n
Milong\u00f3n de mi flor<\/td>Francisco Canaro<\/td><\/td>1940<\/td>Milonga<\/td>c1940~ Jos\u00e9 V\u00e1zquez Vigo \/ Carlos Pesce<\/td>\n<\/tr>\n
Tears<\/td>Django Reinhardt orchestra<\/td><\/td>1937<\/td>CORTINA<\/td>Stephane Grapelli\/Django Reinhardt<\/td>\n<\/tr>\n
Mientras los otros rien!...<\/td>Adolfo Carabelli (dir) OTV<\/td>Alberto G\u00f3mez<\/td>1934<\/td>Tango<\/td>Delfino, G. Miralles<\/td>\n<\/tr>\n
Lemita<\/td>Adolfo Carabelli (dir) OTV<\/td>Alberto G\u00f3mez<\/td>1933<\/td>Tango<\/td>Miguel Padula, A. Distagne<\/td>\n<\/tr>\n
Al pie de la Santa Cruz<\/td>Adolfo Carabelli (dir) OTV<\/td>Alberto G\u00f3mez<\/td>1933<\/td>Tango<\/td>c1933 Enrique Delfino \/ Mario Battistella<\/td>\n<\/tr>\n
Solitude<\/td>Django Reinhardt orchestra<\/td><\/td>1937<\/td>CORTINA<\/td>Duke Ellington\/Irving Mills\/Eddie DeLange<\/td>\n<\/tr>\n
C.T.V. (Se te ve)<\/td>An\u00edbal Troilo<\/td><\/td>1942<\/td>Tango<\/td>c1932~ Agustin Bardi<\/td>\n<\/tr>\n
El distinguido ciudadano<\/td>An\u00edbal Troilo<\/td><\/td>1943<\/td>Tango<\/td>c1932~ Peregrino Paulos<\/td>\n<\/tr>\n
Inspiraci\u00f3n<\/td>An\u00edbal Troilo<\/td><\/td>1943<\/td>Tango<\/td>c1929 Peregrino Paulos \/ Luis Rubistein<\/td>\n<\/tr>\n
Ain't Misbehavin'<\/td>Django Reinhardt orchestra<\/td><\/td>1937<\/td>CORTINA<\/td>Andy Razaf\/Thomas \"Fats\" Waller\/Harvey O. Brooks<\/td>\n<\/tr>\n
Mariquita no mires al puerto<\/td>Enrique Rodriguez<\/td>Armando Moreno<\/td>1945<\/td>Vals<\/td>c1945~ Enrique Rodr\u00edguez \/ Carlos Bahr<\/td>\n<\/tr>\n
Caballero de la luna<\/td>Enrique Rodriguez<\/td>Armando Moreno<\/td>1945<\/td>Vals<\/td>c1945~ Georges Krier \/ Georges Krier<\/td>\n<\/tr>\n
Llora coraz\u00f3n<\/td>Enrique Rodriguez<\/td>Armando Moreno<\/td>1945<\/td>Vals<\/td>c1945~ Horacio Pettorossi \/ ~<\/td>\n<\/tr>\n
Body And Soul<\/td>Django Reinhardt orchestra<\/td><\/td>1937<\/td>CORTINA<\/td>Edward Heyman\/Robert Sour\/Johnny Green\/Frank Eyton<\/td>\n<\/tr>\n
Moneda de cobre<\/td>Lucio Demare<\/td>Ra\u00fal Ber\u00f3n<\/td>1943<\/td>Tango<\/td>c1942 Carlos Viv\u00e1n \/ Horacio Sanguinetti<\/td>\n<\/tr>\n
Me llaman el zorro<\/td>Lucio Demare<\/td>Ra\u00fal Ber\u00f3n<\/td>1943<\/td>Tango<\/td>c1942~ Mario Perini \/ Roberto Lambertucci<\/td>\n<\/tr>\n
C\u00f3mo se hace un tango<\/td>Lucio Demare<\/td>Ra\u00fal Ber\u00f3n<\/td>1943<\/td>Tango<\/td>c1943 Arturo Gallucci \/ Enrique Dizeo<\/td>\n<\/tr>\n
I've Got My Love to Keep Me Warm<\/td>Django Reinhardt orchestra<\/td><\/td>1938<\/td>CORTINA<\/td>Irving Berlin<\/td>\n<\/tr>\n
El hipo<\/td>Juan D'Arienzo<\/td>Alberto Echag\u00fce<\/td>1950<\/td>Tango<\/td>c1951~ Enrique Carmelo Alessio \/ Reinaldo Yiso<\/td>\n<\/tr>\n
El nene del abasto<\/td>Juan D'Arienzo<\/td>Alberto Echag\u00fce<\/td>1951<\/td>Tango<\/td>c1951~ Eladio Blanco \/ Ra\u00fal Hormaza<\/td>\n<\/tr>\n
Sarampion<\/td>Juan D'Arienzo<\/td>Alberto Echag\u00fce<\/td>1952<\/td>Tango<\/td>c1952~ Eladio Blanco \/ Ra\u00fal Hormaza<\/td>\n<\/tr>\n
You're Driving Me Crazy<\/td>Django Reinhardt orchestra<\/td><\/td>1937<\/td>CORTINA<\/td>Walter Donaldson<\/td>\n<\/tr>\n
Cimarr\u00f3n de ausencia<\/td>Miguel Cal\u00f3<\/td>Roberto Arrieta<\/td>1945<\/td>Milonga<\/td>c1945~ Juan Larenza \/ Marsil Robles<\/td>\n<\/tr>\n
Bien criolla y bien porte\u00f1a<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>1945<\/td>Milonga<\/td>c1942 Armando Pontier \/ Homero Exp\u00f3sito<\/td>\n<\/tr>\n
No son siete son catorce<\/td>Miguel Cal\u00f3<\/td>Carlos Barb\u00e9<\/td>1951<\/td>Milonga<\/td>Musica: Armando Baliotti - Letra: Luis D\u00edaz<\/td>\n<\/tr>\n
Louise<\/td>Django Reinhardt orchestra<\/td><\/td>1938<\/td>CORTINA<\/td>Richard Whiting\/Leo Robin<\/td>\n<\/tr>\n
La yumba<\/td>Osvaldo Pugliese<\/td><\/td>1952<\/td>Tango<\/td>c1946 Osvaldo Pugliese<\/td>\n<\/tr>\n
N-N-<\/td>Osvaldo Pugliese<\/td><\/td>1952<\/td>Tango<\/td>c1947~ Osvaldo Ruggiero<\/td>\n<\/tr>\n
Mala junta<\/td>Osvaldo Pugliese<\/td><\/td>1952<\/td>Tango<\/td>c1927 Julio De Caro, Pedro Laurenz \/ Juan Miguel Velich<\/td>\n<\/tr>\n
Tea For Two<\/td>Django Reinhardt orchestra<\/td><\/td>1939<\/td>CORTINA<\/td>Victor Youmans\/Irving Caesar<\/td>\n<\/tr>\n
El buey solo<\/td>Ricardo Tanturi<\/td><\/td>1941<\/td>Tango<\/td>c1929~ Agust\u00edn Bardi<\/td>\n<\/tr>\n
Comparsa criolla<\/td>Ricardo Tanturi<\/td><\/td>1941<\/td>Tango<\/td>c1930~ Rafael Iriarte \/ Julio Navarrine<\/td>\n<\/tr>\n
Arga\u00f1araz (Aquellas farras)<\/td>Ricardo Tanturi<\/td><\/td>1940<\/td>Tango<\/td>c1913 Roberto Firpo \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
Daphn\u00e8<\/td>Django Reinhardt orchestra<\/td><\/td>1938<\/td>CORTINA<\/td>Stephane Grapelli\/Django Reinhardt<\/td>\n<\/tr>\n
Rosa m\u00eda<\/td>H\u00e9ctor Varela<\/td>Rodolfo Lesica & Argentino Ledesma<\/td>1956<\/td>Vals<\/td>Angel Di Rosa - Hector Gentile<\/td>\n<\/tr>\n
Trovador mazorquero<\/td>H\u00e9ctor Varela<\/td>Rodolfo Lesica & Argentino Ledesma<\/td>1955<\/td>Vals<\/td>J. C. Howards - Enrique Cadicamo<\/td>\n<\/tr>\n
Como tu cari\u00f1o<\/td>H\u00e9ctor Varela<\/td>Rodolfo Lesica & Argentino Ledesma<\/td>1954<\/td>Vals<\/td>M\u00fasica : Alberto Nery - Letra : Faro \u00f3 Abel Aznar<\/td>\n<\/tr>\n
I've Got My Love to Keep Me Warm<\/td>Django Reinhardt orchestra<\/td><\/td>1938<\/td>CORTINA<\/td>Irving Berlin<\/td>\n<\/tr>\n
La capilla blanca<\/td>Carlos Di Sarli<\/td>Alberto Podest\u00e1<\/td>1944<\/td>Tango<\/td>c1944 Carlos Di Sarli \/ H\u00e9ctor Marc\u00f3<\/td>\n<\/tr>\n
Vamos<\/td>Carlos Di Sarli<\/td>Alberto Podest\u00e1<\/td>1944<\/td>Tango<\/td>c1944~ Feliciano Brunelli \/ Rodolfo Sciammarella<\/td>\n<\/tr>\n
T\u00fa el cielo y t\u00fa<\/td>Carlos Di Sarli<\/td>Alberto Podest\u00e1<\/td>1944<\/td>Tango<\/td>c1944~ Mario Canaro \/ H\u00e9ctor Marc\u00f3<\/td>\n<\/tr>\n
Petite Lili<\/td>Django Reinhardt orchestra<\/td><\/td>1941<\/td>CORTINA<\/td><\/td>\n<\/tr>\n
La cumparsita<\/td>Donato Racciatti orq<\/td><\/td>1968<\/td>Tango<\/td>c1916~ Gerardo Matos Rodriguez<\/td>\n<\/tr>\n
La cumparsita (Si supieras)<\/td>orq<\/td>Graciela Susana<\/td>1982<\/td>Tango \u2013 Int\/Nuevo<\/td>c1916~ Gerardo Matos Rodriguez \/ Pascual Contursi & Enrique Pedro Maroni<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Quite an active milonga in the beginning of October.<\/p>","protected":false},"author":2,"featured_media":122,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-milonga-sets"],"_links":{"self":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/comments?post=139"}],"version-history":[{"count":2,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/139\/revisions"}],"predecessor-version":[{"id":153,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/139\/revisions\/153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media\/122"}],"wp:attachment":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media?parent=139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/categories?post=139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/tags?post=139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}