{"id":160,"date":"2018-11-16T23:59:48","date_gmt":"2018-11-16T23:59:48","guid":{"rendered":"http:\/\/artinfo.is\/?p=160"},"modified":"2019-08-04T09:11:57","modified_gmt":"2019-08-04T09:11:57","slug":"milonga-at-el-cramo-in-reykjavik-16-nov-2018","status":"publish","type":"post","link":"https:\/\/artinfo.is\/is\/milonga-sets\/milonga-at-el-cramo-in-reykjavik-16-nov-2018\/","title":{"rendered":"Milonga at El Cramo in Reykjav\u00edk 16 Nov 2018"},"content":{"rendered":"

Milonga El Cramo in Reykjavik 16 November 2018. With nasty weather only a few people attended. They were however very intent on dancing relentlessly, so we managed to keep the program going until midnight.<\/p>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Name<\/th>Bandleader<\/th>Vocals<\/th>Year<\/th>Genre<\/th>Composer<\/th>\n<\/tr>\n<\/thead>\n
El recodo<\/td>Carlos Di Sarli <\/td><\/td>1941<\/td>Tango<\/td>c1941~ Alejandro Junnissi \/ Armando Tagini<\/td>\n<\/tr>\n
Don Juan (El taita del barrio)<\/td>Carlos Di Sarli <\/td><\/td>1941<\/td>Tango<\/td>c1898 Ernesto Ponzio \/ t1900~ Ricardo Podest\u00e1<\/td>\n<\/tr>\n
La morocha<\/td>Carlos Di Sarli <\/td><\/td>1941<\/td>Tango<\/td>c1905 Enrique Saborido<\/td>\n<\/tr>\n
Cuidado con los 50<\/td>Carlos Di Sarli <\/td><\/td>1942<\/td>Tango<\/td>c1906 \u00c1ngel Villoldo<\/td>\n<\/tr>\n
Sweet Lorraine<\/td>Benny Goodman<\/td><\/td>1938<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Milongueando en el cuarenta<\/td>An\u00edbal Troilo <\/td><\/td>1941<\/td>Tango<\/td>c1941~ Armando Pontier<\/td>\n<\/tr>\n
El tamango<\/td>An\u00edbal Troilo <\/td><\/td>1941<\/td>Tango<\/td>c1941~ Carlos Posadas<\/td>\n<\/tr>\n
La maleva<\/td>An\u00edbal Troilo <\/td><\/td>1942<\/td>Tango<\/td>c1922 Antonio Buglione \/ Mario Alberto Pardo<\/td>\n<\/tr>\n
Tinta verde<\/td>An\u00edbal Troilo <\/td><\/td>1938<\/td>Tango<\/td>c1927~ Agust\u00edn Bardi<\/td>\n<\/tr>\n
Puttin' On The Ritz<\/td>Benny Goodman <\/td><\/td>1947<\/td>Cortina<\/td>Irving Berlin<\/td>\n<\/tr>\n
Amor y celos<\/td>Adolfo Carabelli (dir) OTV<\/td>Carlos Lafuente <\/td>1933<\/td>Vals<\/td>c1928~ Miguel Padula \/ Alfredo Faustino Rold\u00e1n<\/td>\n<\/tr>\n
Tr\u00e8s jolie<\/td>Adolfo Carabelli (dir) OTV<\/td><\/td>1932<\/td>Vals<\/td>c1932~ Emile Waldteufel<\/td>\n<\/tr>\n
A la mar se fue<\/td>Adolfo Carabelli (dir) OTV<\/td>Carlos Lafuente <\/td>1932<\/td>Vals<\/td>c1932~ Armando Acquarone \/ Trist\u00e1n Antonio Alonso \t<\/td>\n<\/tr>\n
As long as I live<\/td>Benny Goodman <\/td><\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
La tablada<\/td>Edgardo Donato <\/td><\/td>1936<\/td>Tango<\/td>c1927~ Francisco Canaro<\/td>\n<\/tr>\n
Elegante papirusa<\/td>Edgardo Donato <\/td><\/td>1935<\/td>Tango<\/td>c1922~ David Roccatagliata \/ Sandalio G\u00f3mez<\/td>\n<\/tr>\n
Bel\u00e9n<\/td>Edgardo Donato <\/td><\/td>1936<\/td>Tango<\/td>c1929~ Augusto Pedro Berto<\/td>\n<\/tr>\n
Tierrita<\/td>Edgardo Donato <\/td><\/td>1934<\/td>Tango<\/td>c1922~ Agust\u00edn Bardi \/ Jes\u00fas Fern\u00e1ndez Blanco<\/td>\n<\/tr>\n
Henderson stomp<\/td>Benny Goodman<\/td><\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Quiero verte una vez m\u00e1s<\/td>Francisco Lomuto <\/td>Fernando D\u00edaz <\/td>1940<\/td>Tango<\/td>c1938 Mario Canaro \/ Jos\u00e9 Mar\u00eda Contursi<\/td>\n<\/tr>\n
A qui\u00e9n le puede importar<\/td>Francisco Lomuto <\/td>Fernando Diaz <\/td>1939<\/td>Tango<\/td>c1939~ Enrique Cadicamo \/ Mariano Mores<\/td>\n<\/tr>\n
Negro lindo<\/td>Francisco Lomuto <\/td>Fernando Diaz <\/td>1940<\/td>Tango<\/td>c1940~ Francisco Lomuto<\/td>\n<\/tr>\n
Martirio<\/td>Francisco Lomuto <\/td>Fernando Diaz <\/td>1940<\/td>Tango<\/td>c1940 Enrique Santos Disc\u00e9polo \/ Enrique Santos Disc\u00e9polo<\/td>\n<\/tr>\n
Roll' em<\/td>Benny Goodman<\/td><\/td>1937<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Atardecer campero<\/td>Roberto Firpo <\/td><\/td>1951<\/td>Vals<\/td>c1936~ Roberto Firpo<\/td>\n<\/tr>\n
El resplandor<\/td>Roberto Firpo <\/td><\/td>1953<\/td>Vals<\/td>c1953~ Roberto Firpo<\/td>\n<\/tr>\n
Nunca me olvides<\/td>Roberto Firpo <\/td><\/td>1952<\/td>Vals<\/td>c1952~ Roberto Firpo<\/td>\n<\/tr>\n
Fiesta time<\/td>Benny Goodman<\/td><\/td>1949<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Poema<\/td>Francisco Canaro <\/td>Roberto Maida <\/td>1935<\/td>Tango<\/td>c1935 Mario Melfi \/ Eduardo Bianco<\/td>\n<\/tr>\n
Casas viejas<\/td>Francisco Canaro <\/td>Roberto Maida <\/td>1935<\/td>Tango<\/td>c1935 Francisco Canaro \/ Ivo Pelay<\/td>\n<\/tr>\n
Envidia<\/td>Francisco Canaro <\/td>Roberto Maida <\/td>1936<\/td>Tango<\/td>c1936~ Francisco Canaro \/ Antonio Botta & Jos\u00e9 Gonz\u00e1lez Castillo (Juan de Le\u00f3n) & Luis C\u00e9sar Amadori<\/td>\n<\/tr>\n
The birth of the blues<\/td>Benny Goodman <\/td><\/td>1941<\/td>Cortina<\/td>Henderson<\/td>\n<\/tr>\n
Shusheta (El arist\u00f3crata)<\/td>\u00c1ngel D'Agostino <\/td>\u00c1ngel Vargas <\/td>1945<\/td>Tango<\/td>c1920 Juan Carlos Cobi\u00e1n \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
Gran Hotel Victoria (Hotel Victoria)<\/td>\u00c1ngel D'Agostino <\/td>\u00c1ngel Vargas <\/td>1945<\/td>Tango<\/td>c1906 Feliciano Latasa \/ Carlos Pesce<\/td>\n<\/tr>\n
Mi viejo barrio<\/td>\u00c1ngel D'Agostino <\/td>\u00c1ngel Vargas <\/td>1944<\/td>Tango<\/td>c1944~ Victor D'Amario \/ Francisco Antonio Lio<\/td>\n<\/tr>\n
Boy meets goy (grand slam)<\/td>Benny Goodman<\/td><\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
De pura cepa<\/td>An\u00edbal Troilo <\/td><\/td>1942<\/td>Milonga<\/td>c1935~ Jos\u00e9 Ceglie & Antonio Molina \/ Osvaldo Sosa Cordero<\/td>\n<\/tr>\n
Ficha de oro<\/td>An\u00edbal Troilo <\/td>Francisco Fiorentino <\/td>1942<\/td>Milonga<\/td>c1942~ Carmelo Di Napoli \/ Enrique Dizeo<\/td>\n<\/tr>\n
Mano brava<\/td>An\u00edbal Troilo <\/td>Francisco Fiorentino <\/td>1941<\/td>Milonga<\/td>c1941 Manuel Buz\u00f3n \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
Sweet Georgia Brown<\/td>Benny Goodman <\/td><\/td>1947<\/td>Cortina<\/td>Bernie-Pinkard-Casey<\/td>\n<\/tr>\n
Frente a frente<\/td>Juan Maglio \"Pacho\" <\/td><\/td>1927<\/td>Tango<\/td>c1927~ M. F. Esteve<\/td>\n<\/tr>\n
Mi virgencita<\/td>Juan Maglio \"Pacho\" <\/td><\/td>1927<\/td>Tango<\/td>c1927~ Francisco Demarco<\/td>\n<\/tr>\n
Un tropez\u00f3n<\/td>Juan Maglio \"Pacho\" <\/td><\/td>1927<\/td>Tango<\/td>c1927 Ra\u00fal De los Hoyos \/ Luis Bay\u00f3n Herrera<\/td>\n<\/tr>\n
Six appeal<\/td>Benny Goodman <\/td><\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Indiferencia<\/td>Juan D'Arienzo <\/td>Alberto Echag\u00fce <\/td>1938<\/td>Tango<\/td>c1937 Rodolfo Biagi \/ Juan Carlos Thorry<\/td>\n<\/tr>\n
Pensalo bien<\/td>Juan D'Arienzo <\/td>Alberto Echag\u00fce <\/td>1938<\/td>Tango<\/td>c1938~ Juan Visciglio \/ Nolo L\u00f3pez & Julio Alberto<\/td>\n<\/tr>\n
Que Dios te ayude<\/td>Juan D'Arienzo <\/td>Alberto Echag\u00fce <\/td>1939<\/td>Tango<\/td>c1939~ Juan Visciglio \/ Antonio Mastronardi & Nolo L\u00f3pez<\/td>\n<\/tr>\n
Can't we be friends<\/td>Benny Goodman<\/td><\/td>1937<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Paloma<\/td>Francisco Canaro <\/td>Carlos Rold\u00e1n <\/td>1944<\/td>Vals<\/td>c1944~ Juan Jos\u00e9 Guichandut \/ Horacio Sanguinetti<\/td>\n<\/tr>\n
Horizonte azul<\/td>Francisco Canaro <\/td>Carlos Rold\u00e1n <\/td>1944<\/td>Vals<\/td>c1944~ Francisco Canaro \/ Ivo Pelay<\/td>\n<\/tr>\n
Dos corazones<\/td>Francisco Canaro <\/td>Carlos Rold\u00e1n <\/td>1944<\/td>Vals<\/td>c1944~ Francisco Canaro \/ Ivo Pelay<\/td>\n<\/tr>\n
Fascinating rhythm<\/td>Benny Goodman<\/td><\/td>1945<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Sans Souci<\/td>Miguel Cal\u00f3 <\/td><\/td>1944<\/td>Tango<\/td>c1917~ Enrique Delfino \/ Enrique Delfino<\/td>\n<\/tr>\n
Inspiraci\u00f3n<\/td>Miguel Cal\u00f3 <\/td><\/td>1943<\/td>Tango<\/td>c1929 Peregrino Paulos \/ Luis Rubistein<\/td>\n<\/tr>\n
Saludos<\/td>Miguel Cal\u00f3 <\/td><\/td>1944<\/td>Tango<\/td>c1944~ Domingo Federico, Francisco Federico<\/td>\n<\/tr>\n
It had to be you<\/td>Benny Goodman<\/td><\/td>1938<\/td>Cortina<\/td><\/td>\n<\/tr>\n
La abandon\u00e9 y no sab\u00eda<\/td>Ricardo Tanturi <\/td>Enrique Campos <\/td>1944<\/td>Tango<\/td>c1944 Jos\u00e9 Canet \/ Jos\u00e9 Canet<\/td>\n<\/tr>\n
El coraz\u00f3n me dec\u00eda<\/td>Ricardo Tanturi <\/td>Enrique Campos <\/td>1944<\/td>Tango<\/td>c1944~ Vicente Salerno \/ Roberto Lambertucci<\/td>\n<\/tr>\n
Calla bandone\u00f3n<\/td>Ricardo Tanturi <\/td>Enrique Campos <\/td>1944<\/td>Tango<\/td>c1944~ Carlos \u00c1ngel L\u00e1zzari \/ Oscar Rubens<\/td>\n<\/tr>\n
Jumpin' at the woodside<\/td>Benny Goodman<\/td><\/td>1939<\/td>Cortina<\/td><\/td>\n<\/tr>\n
La milonga que faltaba<\/td>Edgardo Donato <\/td><\/td>1938<\/td>Milonga<\/td>c1938~ Edgardo Donato \/ Carlos Pesce<\/td>\n<\/tr>\n
Sacale punta<\/td>Edgardo Donato <\/td>Horacio Lagos & Randona <\/td>1938<\/td>Milonga<\/td>c1938~ Osvaldo Donato \/ Sandalio G\u00f3mez<\/td>\n<\/tr>\n
Ella es as\u00ed<\/td>Horacio Lagos<\/td><\/td>1938<\/td>Milonga<\/td>c1938~ Luis Martino \/ Manuel Carretero<\/td>\n<\/tr>\n
Perfidia<\/td>Benny Goodman<\/td><\/td>1941<\/td>Cortina<\/td><\/td>\n<\/tr>\n
El cabur\u00e9<\/td>Carlos Di Sarli <\/td><\/td>1946<\/td>Tango<\/td>c1913~ Arturo De Bassi \/ Roberto Lino Cayol<\/td>\n<\/tr>\n
El once (A divertirse)<\/td>Carlos Di Sarli <\/td><\/td>1946<\/td>Tango<\/td>c1924 Osvaldo Fresedo \/ Emilio Augusto Oscar Fresedo<\/td>\n<\/tr>\n
Comme il faut<\/td>Carlos Di Sarli <\/td><\/td>1947<\/td>Tango<\/td>c1917 Eduardo Arolas \/ Gabriel Clausi<\/td>\n<\/tr>\n
Six flats unfurnished<\/td>Benny Goodman<\/td><\/td>1942<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Pat\u00e9tico<\/td>Osvaldo Pugliese <\/td><\/td>1948<\/td>Tango<\/td>c1948~ Jorge Caldara<\/td>\n<\/tr>\n
Negracha<\/td>Osvaldo Pugliese <\/td><\/td>1948<\/td>Tango<\/td>c1948~ Osvaldo Pugliese<\/td>\n<\/tr>\n
Boedo<\/td>Osvaldo Pugliese <\/td><\/td>1948<\/td>Tango<\/td>c1928 Julio De Caro \/ Francisco Bautista R\u00edmoli<\/td>\n<\/tr>\n
Big john special<\/td>Benny Goodman <\/td><\/td>1938<\/td>Cortina<\/td><\/td>\n<\/tr>\n
L\u00e1grimas y sonrisas<\/td>Rodolfo Biagi <\/td><\/td>1941<\/td>Vals<\/td>c1914~ Pascual De Gullo \/ Francisco Gullo<\/td>\n<\/tr>\n
Tu melod\u00eda<\/td>Rodolfo Biagi <\/td>Jorge Ortiz <\/td>1945<\/td>Vals<\/td>c1944~ Alberto Su\u00e1rez Villanueva \/ Oscar Rubens<\/td>\n<\/tr>\n
Amor y vals<\/td>Rodolfo Biagi <\/td>Alberto Lago <\/td>1942<\/td>Vals<\/td>c1942~ Rodolfo Biagi \/ Carlos Bahr<\/td>\n<\/tr>\n
Whistle blues<\/td>Benny Goodman<\/td><\/td>1947<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Quejas de bandone\u00f3n<\/td>An\u00edbal Troilo <\/td><\/td>1944<\/td>Tango<\/td>c1918 Juan de Dios Filiberto<\/td>\n<\/tr>\n
Piropos<\/td>An\u00edbal Troilo <\/td><\/td>1944<\/td>Tango<\/td>c1923~ Juan Carlos Cobi\u00e1n \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
El africano<\/td>An\u00edbal Troilo <\/td><\/td>1945<\/td>Tango<\/td>c1920~ Eduardo Pereyra \/ Francisco Antonio Lio<\/td>\n<\/tr>\n
Clarinade<\/td>Benny Goodman<\/td><\/td>1945<\/td>Cortina<\/td><\/td>\n<\/tr>\n
La cumparsita<\/td>An\u00edbal Troilo <\/td><\/td>1943<\/td>Tango<\/td>c1916~ Gerardo Matos Rodriguez<\/td>\n<\/tr>\n
La cumparsita<\/td>\u00c9rica Di Salvo <\/td><\/td>2007<\/td>Tango \u2013 Cont\/T\u00edpica<\/td>c1916~ Gerardo Matos Rodriguez<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n
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Milonga El Cramo in Reykjavik 16 November 2018. With nasty weather only a few people attended. They were however very intent on dancing relentlessly, so we managed to keep the program going until midnight.<\/p>","protected":false},"author":2,"featured_media":708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-milonga-sets"],"_links":{"self":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/comments?post=160"}],"version-history":[{"count":2,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/160\/revisions"}],"predecessor-version":[{"id":719,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/160\/revisions\/719"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media\/708"}],"wp:attachment":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media?parent=160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/categories?post=160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/tags?post=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}