{"id":549,"date":"2019-05-27T12:37:04","date_gmt":"2019-05-27T12:37:04","guid":{"rendered":"http:\/\/artinfo.is\/?p=549"},"modified":"2019-05-28T00:25:16","modified_gmt":"2019-05-28T00:25:16","slug":"iv-a-media-management","status":"publish","type":"post","link":"https:\/\/artinfo.is\/is\/practical-matters\/iv-a-media-management\/","title":{"rendered":"IV.a \u2014 Media management"},"content":{"rendered":"<p>A tango DJ will soon find that as his collection gets larger it becomes necessary to organise it in a systematic fashion. There are many musical players that enable a systematic way of storing music, categorising it and tagging. Professional DJ software often comes with capable databases and many types of consumer software does so as well. I, for one, find that iTunes on a mac is excellent for handling a large database of tango music, especially when enhanced with a systematic way of organising and cataloging, making efficient use of its smart folder feature for one.<\/p>\n<p>I will go into some the details of my system. Others may find something of use in them. Even though some of my practice utilises specific iTunes capabilities, most of them also apply to other music cataloging systems.<\/p>\n<h4>Song marking and tagging<\/h4>\n<p><a href=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-10.58.30-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-576\" src=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-10.58.30-PM-1024x84.png\" alt=\"\" width=\"940\" height=\"77\" srcset=\"https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-10.58.30-PM-1024x84.png 1024w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-10.58.30-PM-300x25.png 300w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-10.58.30-PM-768x63.png 768w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-10.58.30-PM-600x49.png 600w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-10.58.30-PM.png 1868w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a>This image shows the the most important fields I use to catalogue and catagorize my music. I&#8217;ll enumerate every one and show how it is used in practice.<\/p>\n<p><strong>Name:<\/strong> This is the title of the tune, stripped of any additional information.<br \/>\n<strong>BPM:<\/strong> This is for holding beats per minute. I find it best to count the actual beats, around 120 in tango, 200 in vals and milonga.<br \/>\n<strong>Rating: <\/strong>This is an estimation of the quality of the song, in terms of interest, playability, and danceability. When first tagging a song I rely on Bernhard Gehbergers Tango-DB ratings, changing it to my own estimation when I&#8217;ve managed to work wirth the files.<br \/>\n<strong>Comments: <\/strong>I use the comments field for automatic generation of the key and BPM of each song, as read by Mixed in Key 8. When choosing between different copies of the same song, I also put a \u00abreject\u00bb mark in the comment field of the ones I\u00f0m not using.<br \/>\n<strong>Work: <\/strong>This is an iTunes field I use in a nonstandard way, for the exact recording date of the tune.<br \/>\n<strong>Grouping: <\/strong>This field I use when arranging songs into tandas. \u00abC1\u00bb is a marker for the time period; \u00abT\u00bb for tango as a genre; the number of the tanda; additional \u00ab(v)\u00bb for vocal; and finally a, b, c, or d according to the ordering of the song in the tanda.<br \/>\n<strong>Programme:<\/strong> This is used to document if the song was used in a milonga. When initially choosing songs when organising a milonga I give them a code, like +\u00de in this case, an number for the order. This makes it easy to assemble in an autogenerated playlist.<br \/>\n<strong>Time: <\/strong>The duration of the song.<br \/>\n<strong>Artist: <\/strong>Here I place the singer first, followed by a \u00ab(v)\u00bb to indicate a vocal number; follwing that comes the bandleader. I differentiate between vocals and instrumentals with the (v). If the Artist field does not include a (v), the song is instrumental.<\/p>\n<h4>Organisation with folders and Smart playlists<\/h4>\n<div id=\"attachment_577\" style=\"width: 395px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-11.54.24-PM.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-577\" class=\"wp-image-577\" src=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-11.54.24-PM-300x263.png\" alt=\"\" width=\"385\" height=\"337\" srcset=\"https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-11.54.24-PM-300x263.png 300w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-11.54.24-PM-768x672.png 768w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-11.54.24-PM-600x525.png 600w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-27-at-11.54.24-PM.png 770w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/a><p id=\"caption-attachment-577\" class=\"wp-caption-text\">In iTunes I group all the music first according to the bandleader. Above is an example of a part of the collection.<\/p><\/div>\n<div id=\"attachment_578\" style=\"width: 373px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.00.04-AM.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-578\" class=\"wp-image-578\" src=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.00.04-AM-300x162.png\" alt=\"\" width=\"363\" height=\"196\" srcset=\"https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.00.04-AM-300x162.png 300w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.00.04-AM-600x324.png 600w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.00.04-AM.png 726w\" sizes=\"auto, (max-width: 363px) 100vw, 363px\" \/><\/a><p id=\"caption-attachment-578\" class=\"wp-caption-text\">For every bandleader I also add folders for the separate genres, tango, vals, and milonga, with subfolders for instrumental and vocal tangos.<\/p><\/div>\n<div id=\"attachment_579\" style=\"width: 362px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.01.17-AM.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-579\" class=\"wp-image-579\" src=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.01.17-AM-300x286.png\" alt=\"\" width=\"352\" height=\"336\" srcset=\"https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.01.17-AM-300x286.png 300w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.01.17-AM-600x573.png 600w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.01.17-AM.png 704w\" sizes=\"auto, (max-width: 352px) 100vw, 352px\" \/><\/a><p id=\"caption-attachment-579\" class=\"wp-caption-text\">The vocal tangos are then arranged, via smart playlists, according to period (A, B, C, D, E, F, or G) and singer, with the years involved in parantheses and the number of tandas that heve been organised based on these lists.<\/p><\/div>\n<div id=\"attachment_580\" style=\"width: 355px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.05.34-AM.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-580\" class=\"wp-image-580\" src=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.05.34-AM-300x163.png\" alt=\"\" width=\"345\" height=\"188\" srcset=\"https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.05.34-AM-300x163.png 300w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.05.34-AM-600x327.png 600w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.05.34-AM.png 690w\" sizes=\"auto, (max-width: 345px) 100vw, 345px\" \/><\/a><p id=\"caption-attachment-580\" class=\"wp-caption-text\">Instrumental tangos are ordered mostly by periods in smart folders, in D&#8217;Arienzo&#8217;s case according to his leading pianists.<\/p><\/div>\n<div id=\"attachment_581\" style=\"width: 737px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.07.36-AM.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-581\" class=\"wp-image-581\" src=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.07.36-AM.png\" alt=\"\" width=\"727\" height=\"300\" srcset=\"https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.07.36-AM.png 1120w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.07.36-AM-300x124.png 300w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.07.36-AM-768x317.png 768w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.07.36-AM-1024x422.png 1024w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.07.36-AM-600x248.png 600w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/a><p id=\"caption-attachment-581\" class=\"wp-caption-text\">This is an example of smart folder settings, giving all the D&#8217;Arienzo tangos with H\u00e9ctor Maur\u00e9. The triangle marking in Comments is used to eliminate rejected versions and the rating is limited to 2 stars or more.<\/p><\/div>\n<div id=\"attachment_582\" style=\"width: 950px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.14.38-AM.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-582\" class=\"wp-image-582 size-large\" src=\"http:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.14.38-AM-1024x647.png\" alt=\"\" width=\"940\" height=\"594\" srcset=\"https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.14.38-AM-1024x647.png 1024w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.14.38-AM-300x190.png 300w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.14.38-AM-768x485.png 768w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.14.38-AM-600x379.png 600w, https:\/\/artinfo.is\/wp-content\/uploads\/2019\/05\/Screenshot-2019-05-28-at-12.14.38-AM.png 1880w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a><p id=\"caption-attachment-582\" class=\"wp-caption-text\">The above set of rules generates this listing of songs, with four organised tandas in all and indications of when they have been programmed.<\/p><\/div>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>The media we have available, the digital files with tango music, form the basis for a quality DJ performance. There are things you can do later on, in equalisation, to improve a bad file, but that can only tackle smaller problems. <\/p>","protected":false},"author":2,"featured_media":550,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[33,32],"class_list":["post-549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-practical-matters","tag-sound","tag-technique"],"_links":{"self":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/comments?post=549"}],"version-history":[{"count":6,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/549\/revisions"}],"predecessor-version":[{"id":585,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/549\/revisions\/585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media\/550"}],"wp:attachment":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media?parent=549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/categories?post=549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/tags?post=549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}