{"id":696,"date":"2019-08-02T23:59:59","date_gmt":"2019-08-02T23:59:59","guid":{"rendered":"http:\/\/artinfo.is\/?p=696"},"modified":"2019-08-04T09:08:53","modified_gmt":"2019-08-04T09:08:53","slug":"milonga-el-cramo-in-reykjavik-2-august-2019","status":"publish","type":"post","link":"https:\/\/artinfo.is\/is\/milonga-sets\/milonga-el-cramo-in-reykjavik-2-august-2019\/","title":{"rendered":"Milonga El Cramo in Reykjav\u00edk 2 August 2019"},"content":{"rendered":"

In early August the Reykjav\u00edk scene changes a bit, with a lot of the regulars away on vacation. Tonight however the locals were supplanted by a lot of interested visitors from abroad. So the dancing tonight was lively, with about 20 people dancing throughout the night all to the end.<\/p>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Name<\/th>Bandleader<\/th>Vocals<\/th>Genre<\/th>Year<\/th>Composer<\/th>\n<\/tr>\n<\/thead>\n
Argentino soy<\/td>Enrique Rodriguez<\/td><\/td>Tango<\/td>1944<\/td>c1944~ Enrique Rodriguez<\/td>\n<\/tr>\n
Canaro en Par\u00eds<\/td>Enrique Rodriguez<\/td><\/td>Tango<\/td>1946<\/td>c1925 Alejandro Scarpino & Juan Caldarella \/ Jos\u00e9 Antonio Scarpino<\/td>\n<\/tr>\n
Zorro gris<\/td>Enrique Rodriguez<\/td><\/td>Tango<\/td>1946<\/td>c1920 Rafael Tuegols \/ Francisco Garc\u00eda Jim\u00e9nez<\/td>\n<\/tr>\n
El africano<\/td>Enrique Rodriguez<\/td><\/td>Tango<\/td>1945<\/td>c1920~ Eduardo Pereyra \/ Francisco Antonio Lio<\/td>\n<\/tr>\n
You, you darlin'<\/td>Duke Ellington orch-15<\/td>Herb Jeffries<\/td>Cortina<\/td>1940<\/td><\/td>\n<\/tr>\n
El chamuyo<\/td>Edgardo Donato<\/td><\/td>Tango<\/td>1938<\/td>c1918~ Francisco Canaro<\/td>\n<\/tr>\n
El estagiario<\/td>Edgardo Donato<\/td><\/td>Tango<\/td>1938<\/td>c1917~ Mart\u00edn A. Lasala Alvarez<\/td>\n<\/tr>\n
Pasi\u00f3n criolla<\/td>Edgardo Donato<\/td><\/td>Tango<\/td>1939<\/td>c1927~ Salvador Grupillo<\/td>\n<\/tr>\n
El distinguido ciudadano<\/td>Edgardo Donato<\/td><\/td>Tango<\/td>1940<\/td>c1932~ Peregrino Paulos<\/td>\n<\/tr>\n
So far, so good<\/td>Duke Ellington orch<\/td>Ivie Anderson<\/td>Cortina<\/td>1940<\/td><\/td>\n<\/tr>\n
El retirao (Retirao)<\/td>Carlos Di Sarli<\/td><\/td>Tango<\/td>1939<\/td>c1927~ Carlos Posadas<\/td>\n<\/tr>\n
Catamarca<\/td>Carlos Di Sarli<\/td><\/td>Tango<\/td>1940<\/td>c1931~ Eduardo Arolas \/ Jes\u00fas Fernandez Blanco<\/td>\n<\/tr>\n
La trilla<\/td>Carlos Di Sarli<\/td><\/td>Tango<\/td>1940<\/td>c1916~ Eduardo Arolas \/ H\u00e9ctor Polito<\/td>\n<\/tr>\n
Milonguero viejo<\/td>Carlos Di Sarli<\/td><\/td>Tango<\/td>1940<\/td>c1926 Carlos Di Sarli \/ Enrique Carrera Sotelo<\/td>\n<\/tr>\n
Just a-sittin' and a-rockin'<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1941<\/td><\/td>\n<\/tr>\n
Sue\u00f1o florido<\/td>Juan D'Arienzo<\/td><\/td>Vals<\/td>1936<\/td>c1917~ Roberto Firpo<\/td>\n<\/tr>\n
Pabell\u00f3n de las rosas<\/td>Juan D'Arienzo<\/td><\/td>Vals<\/td>1935<\/td>c1913~ Jos\u00e9 Felipetti \/ Antonio Catania & Angela Mar\u00eda Catania<\/td>\n<\/tr>\n
Orillas del plata<\/td>Juan D'Arienzo<\/td><\/td>Vals<\/td>1935<\/td>c1928~ Juan F\u00e9lix Maglio \/ Juan F\u00e9lix Maglio<\/td>\n<\/tr>\n
Black beauty<\/td>Duke Ellington orch-17<\/td><\/td>Cortina<\/td>1945<\/td><\/td>\n<\/tr>\n
La maleva<\/td>Francisco Canaro<\/td><\/td>Tango<\/td>1938<\/td>c1922 Antonio Buglione \/ Mario Alberto Pardo<\/td>\n<\/tr>\n
Ciertos amores<\/td>Francisco Canaro<\/td><\/td>Tango<\/td>1938<\/td>c1938~ Rafael Canaro \/ Carmelo Santiago<\/td>\n<\/tr>\n
Quiero verte una vez m\u00e1s<\/td>Francisco Canaro<\/td><\/td>Tango<\/td>1939<\/td>c1938 Mario Canaro \/ Jos\u00e9 Mar\u00eda Contursi<\/td>\n<\/tr>\n
East St. Louis toodle-o<\/td>Duke Ellington orch-10<\/td><\/td>Cortina<\/td>1927<\/td><\/td>\n<\/tr>\n
Comparsa criolla<\/td>Ricardo Tanturi<\/td><\/td>Tango<\/td>1941<\/td>c1930~ Rafael Iriarte \/ Julio Navarrine<\/td>\n<\/tr>\n
El buey solo<\/td>Ricardo Tanturi<\/td><\/td>Tango<\/td>1941<\/td>c1929~ Agust\u00edn Bardi<\/td>\n<\/tr>\n
La huella<\/td>Ricardo Tanturi<\/td><\/td>Tango<\/td>1941<\/td>c1917~ Manuel Villanueva \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
Cocktails for two - take 2<\/td>Duke Ellington orch-12<\/td><\/td>Cortina<\/td>1934<\/td><\/td>\n<\/tr>\n
Madalit<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>Tango<\/td>1944<\/td>c1944~ Enrique Delfino \/ Agust\u00edn Horacio Delam\u00f3nica<\/td>\n<\/tr>\n
Me llamo Anselmo Contreras<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>Tango<\/td>1946<\/td>c1946~ Miguel Nijensohn \/ C\u00e1tulo Castillo<\/td>\n<\/tr>\n
Tango y copas (Otro tango)<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>Tango<\/td>1943<\/td>c1943~ H\u00e9ctor Mar\u00eda Artola \/ Carlos Bahr<\/td>\n<\/tr>\n
Cuando tallan los recuerdos<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>Tango<\/td>1943<\/td>c1943 Rafael Rossi \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
Me and you<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1940<\/td><\/td>\n<\/tr>\n
La huella roja<\/td>Juan Maglio \"Pacho\" <\/td>Carlos Viv\u00e1n<\/td>Tango<\/td>1928<\/td>Juan F\u00e9lix Maglio \"Pacho\"<\/td>\n<\/tr>\n
Madrecita buena<\/td>Juan Maglio \"Pacho\" <\/td>Carlos Viv\u00e1n<\/td>Tango<\/td>1928<\/td>Ram\u00f3n Montes<\/td>\n<\/tr>\n
Ingrata<\/td>Juan Maglio \"Pacho\" <\/td>Carlos Viv\u00e1n<\/td>Tango<\/td>1928<\/td>Eduardo Ponzio<\/td>\n<\/tr>\n
Raincheck<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1941<\/td><\/td>\n<\/tr>\n
Ilusi\u00f3n azul<\/td>Alfredo De Angelis<\/td>Carlos Dante<\/td>Vals<\/td>1945<\/td>c1933~ Arqu\u00edmedes Arci \/ Arqu\u00edmedes Arci<\/td>\n<\/tr>\n
Mi novia de ayer<\/td>Alfredo De Angelis<\/td>Floreal Ruiz<\/td>Vals<\/td>1944<\/td>c1944~ Arturo Gallucci \/ Jos\u00e9 Barreiros Baz\u00e1n<\/td>\n<\/tr>\n
Para ti, madre<\/td>Alfredo De Angelis<\/td>Carlos Dante<\/td>Vals<\/td>1948<\/td>c1932~ Jos\u00e9 Mocciola \/ Venancio Clauso<\/td>\n<\/tr>\n
Someone<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1942<\/td><\/td>\n<\/tr>\n
El choclo<\/td>Juan D'Arienzo<\/td><\/td>Tango<\/td>1937<\/td>c1903 \u00c1ngel Villoldo<\/td>\n<\/tr>\n
Uni\u00f3n C\u00edvica<\/td>Juan D'Arienzo<\/td><\/td>Tango<\/td>1938<\/td>c1933~ Domingo Santa Cruz<\/td>\n<\/tr>\n
La morocha<\/td>Juan D'Arienzo<\/td><\/td>Tango<\/td>1937<\/td>c1905 Enrique Saborido<\/td>\n<\/tr>\n
Champag\u00f1e tango<\/td>Juan D'Arienzo<\/td><\/td>Tango<\/td>1938<\/td>c1914 Manuel Gregorio Ar\u00f3ztegui \/ Pascual Contursi<\/td>\n<\/tr>\n
It's glory<\/td>Duke Ellington orch-12<\/td><\/td>Cortina<\/td>1931<\/td><\/td>\n<\/tr>\n
Estampa de var\u00f3n<\/td>Francisco Canaro (dir) Quinteto Pirnicho<\/td><\/td>Milonga<\/td>1940<\/td>c1938~ Mariano Mores \/ Am\u00e9rico Surd\u00e9<\/td>\n<\/tr>\n
Yo tambi\u00e9n quiero cantar<\/td>Francisco Canaro (dir) Quinteto Pirnicho<\/td><\/td>Milonga<\/td>1940<\/td>c1940~ Ricardo Malerba & Jos\u00e9 Pecora \/ Ricardo Malerba & Jos\u00e9 Pecora<\/td>\n<\/tr>\n
La milonga del carnaval (Milonga optimista)<\/td>Francisco Canaro (dir) Quinteto Pirnicho<\/td><\/td>Milonga<\/td>1940<\/td>c1940~ Mariano Mores \/ Mariano Mores<\/td>\n<\/tr>\n
Cotton tail<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1940<\/td><\/td>\n<\/tr>\n
Carnaval<\/td>An\u00edbal Troilo<\/td>Edmundo Rivero<\/td>Tango<\/td>1947<\/td>c1927 Anselmo A. Aieta \/ Francisco Garc\u00eda Jim\u00e9nez<\/td>\n<\/tr>\n
Sur<\/td>An\u00edbal Troilo<\/td>Edmundo Rivero<\/td>Tango<\/td>1948<\/td>c1948~ An\u00edbal Troilo \/ Homero Manzi<\/td>\n<\/tr>\n
Mi noche triste<\/td>An\u00edbal Troilo<\/td>Edmundo Rivero<\/td>Tango<\/td>1949<\/td>c1916 Samuel Castriota \/ Pascual Contursi<\/td>\n<\/tr>\n
Harlem air-shaft (Rumpus in Richmond)<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1940<\/td><\/td>\n<\/tr>\n
Bailongo de los domingos (El baile de los domingos)<\/td>Ricardo Tanturi<\/td>Alberto Castillo<\/td>Tango<\/td>1943<\/td>c1943~ Antonio Oscar Arona \/ Francisco Garc\u00eda Jim\u00e9nez<\/td>\n<\/tr>\n
Mi piba (Mi piba linda)<\/td>Ricardo Tanturi<\/td>Alberto Castillo<\/td>Tango<\/td>1943<\/td>c1943~ Rodolfo Sciammarella \/ Manuel Romero<\/td>\n<\/tr>\n
A otra cosa, che pebeta<\/td>Ricardo Tanturi<\/td>Alberto Castillo<\/td>Tango<\/td>1943<\/td>c1943~ Ricardo Tanturi \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
Bojangles<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1940<\/td><\/td>\n<\/tr>\n
Con tu mirar<\/td>Enrique Rodriguez<\/td>Armando Moreno<\/td>Vals<\/td>1941<\/td>c1930~ Eusebio Giorno \/ Norberto Canosa<\/td>\n<\/tr>\n
Isabelita<\/td>Enrique Rodriguez<\/td>Armando Moreno<\/td>Vals<\/td>1940<\/td>c1940 Rodolfo Sciammarella \/ Manuel Romero<\/td>\n<\/tr>\n
Por aqu\u00ed, por all\u00e1<\/td>Enrique Rodriguez<\/td>Armando Moreno<\/td>Vals<\/td>1940<\/td>c1940~ Enrique Rodr\u00edguez \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
Five o'clock whistle<\/td>Duke Ellington orch-15<\/td>Ivie Anderson<\/td>Cortina<\/td>1940<\/td><\/td>\n<\/tr>\n
A la gran mu\u00f1eca<\/td>Carlos Di Sarli<\/td><\/td>Tango<\/td>1951<\/td>c1919 Jes\u00fas Ventura \/ Miguel Os\u00e9s<\/td>\n<\/tr>\n
El incendio<\/td>Carlos Di Sarli<\/td><\/td>Tango<\/td>1951<\/td>c1908~ Arturo De Bassi<\/td>\n<\/tr>\n
El opio<\/td>Carlos Di Sarli<\/td><\/td>Tango<\/td>1951<\/td>c1915~ Francisco Canaro<\/td>\n<\/tr>\n
Germaine<\/td>Carlos Di Sarli<\/td><\/td>Tango<\/td>1951<\/td>c1914~ Alberto L\u00f3pez Buchardo<\/td>\n<\/tr>\n
Take the \"A\" train<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1941<\/td><\/td>\n<\/tr>\n
Un baile a beneficio (La podrida)<\/td>Miguel Di G\u00e9nova, Cuarteto Otros Aires<\/td><\/td>Milonga<\/td>2007<\/td>c1950 Juan Carlos Caviello \/ Jos\u00e9 Alfredo Fern\u00e1ndez<\/td>\n<\/tr>\n
Milonga sentimental<\/td>Miguel Di G\u00e9nova, Cuarteto Otros Aires<\/td><\/td>Milonga<\/td>2005<\/td>c1932 Sebasti\u00e1n Piana \/ Homero Manzi<\/td>\n<\/tr>\n
Jumpin' punkins - take 1<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1941<\/td><\/td>\n<\/tr>\n
El monito<\/td>Osvaldo Pugliese<\/td><\/td>Tango<\/td>1945<\/td>c1925 Julio De Caro \/ Juan Carlos Marambio Cat\u00e1n<\/td>\n<\/tr>\n
Derecho viejo<\/td>Osvaldo Pugliese<\/td><\/td>Tango<\/td>1945<\/td>c1917~ Eduardo Arolas<\/td>\n<\/tr>\n
Raza criolla (El taita)<\/td>Osvaldo Pugliese<\/td><\/td>Tango<\/td>1945<\/td>c1928 Salvador Grupillo<\/td>\n<\/tr>\n
Perdido - take 1<\/td>Duke Ellington orch-15<\/td><\/td>Cortina<\/td>1942<\/td><\/td>\n<\/tr>\n
Rondando tu esquina<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>Tango<\/td>1945<\/td>c1945 Charlo \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
Destellos<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>Tango<\/td>1946<\/td>c1924 Francisco Canaro \/ Juan Andr\u00e9s Caruso<\/td>\n<\/tr>\n
La cumparsita (La cumparsa)<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>Tango<\/td>1946<\/td>c1916~ Gerardo Matos Rodriguez \/ Gerardo Matos Rodriguez<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n
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\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

In early August the Reykjav\u00edk scene changes a bit, with a lot of the regulars away on vacation. Tonight however the locals were supplanted by a lot of interested visitors from abroad. So the dancing tonight was lively, with about 20 people dancing throughout the<\/p>","protected":false},"author":2,"featured_media":715,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-696","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-milonga-sets"],"_links":{"self":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/comments?post=696"}],"version-history":[{"count":1,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/696\/revisions"}],"predecessor-version":[{"id":697,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/696\/revisions\/697"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media\/715"}],"wp:attachment":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media?parent=696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/categories?post=696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/tags?post=696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}