{"id":838,"date":"2019-11-01T23:59:46","date_gmt":"2019-11-01T23:59:46","guid":{"rendered":"https:\/\/artinfo.is\/?p=838"},"modified":"2020-01-26T13:04:00","modified_gmt":"2020-01-26T13:04:00","slug":"milonga-el-cramo-in-reykjavik-1-november-2019","status":"publish","type":"post","link":"https:\/\/artinfo.is\/is\/milonga-sets\/milonga-el-cramo-in-reykjavik-1-november-2019\/","title":{"rendered":"Milonga El Cramo in Reykjav\u00edk 1 November 2019"},"content":{"rendered":"

A milonga in El Cramo Reykjav\u00edk. It was a short one, only two hours from 10\u201312 p.m.<\/p>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Name<\/th>Bandleader<\/th>Vocals<\/th>Year<\/th>Genre<\/th>Composer<\/th>\n<\/tr>\n<\/thead>\n
9 de Julio<\/td>Juan D'Arienzo<\/td><\/td>1935<\/td>Tango<\/td>c1916~ Jos\u00e9 Luis Padula \/ Lito Bayardo<\/td>\n<\/tr>\n
El flete<\/td>Juan D'Arienzo<\/td><\/td>1936<\/td>Tango<\/td>c1916 Vicente Greco \/ Ger\u00f3nimo Gradito<\/td>\n<\/tr>\n
Don Juan (El taita del barrio)<\/td>Juan D'Arienzo<\/td><\/td>1936<\/td>Tango<\/td>c1898 Ernesto Ponzio \/ t1900~ Ricardo Podest\u00e1<\/td>\n<\/tr>\n
Qu\u00e9 noche<\/td>Juan D'Arienzo<\/td><\/td>1937<\/td>Tango<\/td>c1920~ Agust\u00edn Bardi<\/td>\n<\/tr>\n
The music goes 'round and around<\/td>Louis Armstrong orch<\/td><\/td>1936<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Madame Ivonne (Madame Yvonne)<\/td>Ricardo Tanturi<\/td>Alberto Castillo<\/td>1942<\/td>Tango<\/td>c1933~ Eduardo Pereyra \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
La copa del olvido<\/td>Ricardo Tanturi<\/td>Alberto Castillo<\/td>1942<\/td>Tango<\/td>c1921 Enrique Delfino \/ Alberto Vacarezza<\/td>\n<\/tr>\n
El tango es el tango<\/td>Ricardo Tanturi<\/td>Alberto Castillo<\/td>1942<\/td>Tango<\/td>c1942~ Jos\u00e9 Ra\u00fal Iglesias \/ Juan Bautista Gatti<\/td>\n<\/tr>\n
Decile que vuelva<\/td>Ricardo Tanturi<\/td>Alberto Castillo<\/td>1942<\/td>Tango<\/td>c1941~ Miguel Bucino \/ Miguel Bucino<\/td>\n<\/tr>\n
I'm putting all my eggs in one basket<\/td>Louis Armstrong orch<\/td><\/td>1936<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Mi cari\u00f1ito<\/td>Alfredo De Angelis<\/td>Carlos Dante & Julio Martel<\/td>1949<\/td>Vals<\/td>c1949~ Alfredo De Angelis \/ Jos\u00e9 R\u00f3tulo<\/td>\n<\/tr>\n
Mi novia de ayer<\/td>Alfredo De Angelis<\/td>Floreal Ruiz<\/td>1944<\/td>Vals<\/td>c1944~ Arturo Gallucci \/ Jos\u00e9 Barreiros Baz\u00e1n<\/td>\n<\/tr>\n
A su memoria<\/td>Alfredo De Angelis<\/td>Carlos Dante<\/td>1947<\/td>Vals<\/td>c1927~ Antonio Sureda \/ Homero Manzi<\/td>\n<\/tr>\n
If we never meet again<\/td>Louis Armstrong orch<\/td><\/td>1936<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Quejas de bandone\u00f3n<\/td>An\u00edbal Troilo<\/td><\/td>1944<\/td>Tango<\/td>c1918 Juan de Dios Filiberto<\/td>\n<\/tr>\n
Piropos<\/td>An\u00edbal Troilo<\/td><\/td>1944<\/td>Tango<\/td>c1923~ Juan Carlos Cobi\u00e1n \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
El africano<\/td>An\u00edbal Troilo<\/td><\/td>1945<\/td>Tango<\/td>c1920~ Eduardo Pereyra \/ Francisco Antonio Lio<\/td>\n<\/tr>\n
Fuegos artificiales<\/td>An\u00edbal Troilo<\/td><\/td>1945<\/td>Tango<\/td>c1927~ Eduardo Arolas & Roberto Firpo<\/td>\n<\/tr>\n
Lyin' to myself<\/td>Louis Armstrong orch<\/td><\/td>1936<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Milonga criolla<\/td>Francisco Canaro<\/td>Roberto Maida<\/td>1936<\/td>Milonga<\/td>c1936~ Alberto Soifer \/ Manuel Romero<\/td>\n<\/tr>\n
Milonga brava<\/td>Francisco Canaro<\/td>Roberto Maida<\/td>1938<\/td>Milonga<\/td>c1938~ Antonino Cipolla \/ Celedonio Flores<\/td>\n<\/tr>\n
Milonga del coraz\u00f3n<\/td>Francisco Canaro<\/td>Roberto Maida<\/td>1938<\/td>Milonga<\/td>c1938~ Miguel Bucino \/ Miguel Bucino<\/td>\n<\/tr>\n
Mahogany Hall stomp<\/td>Louis Armstrong orchestra<\/td><\/td>1936<\/td>Cortina<\/td><\/td>\n<\/tr>\n
La mascarita<\/td>Juan Maglio \"Pacho\" <\/td><\/td>1927<\/td>Tango<\/td>c1927~ J. V. Rosso<\/td>\n<\/tr>\n
Campanita<\/td>Juan Maglio \"Pacho\" <\/td><\/td>1927<\/td>Tango<\/td>c1927~ Juan Polito \/ Salvador Polito<\/td>\n<\/tr>\n
Alexander's ragtime band<\/td>Louis Armstrong orch<\/td><\/td>1937<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Al comp\u00e1s del coraz\u00f3n (Late un coraz\u00f3n)<\/td>Carlos Di Sarli<\/td>Alberto Podest\u00e1<\/td>1942<\/td>Tango<\/td>c1942 Domingo Federico \/ Homero Exp\u00f3sito<\/td>\n<\/tr>\n
Va a cantar un ruise\u00f1or<\/td>Carlos Di Sarli<\/td>Alberto Podest\u00e1<\/td>1942<\/td>Tango<\/td>c1942 ~Andr\u00e9s Domenech \/ Carlos Pesce<\/td>\n<\/tr>\n
Nido gaucho<\/td>Carlos Di Sarli<\/td>Alberto Podest\u00e1<\/td>1942<\/td>Tango<\/td>c1942~ Carlos Di Sarli \/ H\u00e9ctor Marc\u00f3<\/td>\n<\/tr>\n
Cuban Pete<\/td>Louis Armstrong orch<\/td><\/td>1937<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Miedo<\/td>Juan D'Arienzo<\/td>H\u00e9ctor Maur\u00e9<\/td>1940<\/td>Vals<\/td>c1941~ Eladio Blanco \/ Iv\u00e1n Casad\u00f3<\/td>\n<\/tr>\n
Cuatro palabras<\/td>Juan D'Arienzo<\/td>H\u00e9ctor Maur\u00e9<\/td>1941<\/td>Vals<\/td>c1941~ Miguel Bucino \/ Miguel Bucino<\/td>\n<\/tr>\n
Adi\u00f3s querida<\/td>Juan D'Arienzo<\/td>H\u00e9ctor Maur\u00e9<\/td>1941<\/td>Vals<\/td>c1941~ Horacio Salg\u00e1n \/ Carmelo Volpe<\/td>\n<\/tr>\n
On the sunny side of the street<\/td>Louis Armstrong orch<\/td><\/td>1937<\/td>Cortina<\/td><\/td>\n<\/tr>\n
El monito<\/td>Osvaldo Pugliese<\/td><\/td>1945<\/td>Tango<\/td>c1925 Julio De Caro \/ Juan Carlos Marambio Cat\u00e1n<\/td>\n<\/tr>\n
Derecho viejo<\/td>Osvaldo Pugliese<\/td><\/td>1945<\/td>Tango<\/td>c1917~ Eduardo Arolas<\/td>\n<\/tr>\n
Raza criolla (El taita)<\/td>Osvaldo Pugliese<\/td><\/td>1945<\/td>Tango<\/td>c1928 Salvador Grupillo<\/td>\n<\/tr>\n
Satchel Mouth swing<\/td>Louis Armstrong orch<\/td><\/td>1938<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Con flauta y guitarra<\/td>H\u00e9ctor Varela<\/td>Rodolfo Lesica & Armando Laborde<\/td>1960<\/td>Milonga<\/td>Letra y m\u00fasica : Luis Rafael Caruso y La Casa (Erma Su\u00e1rez)<\/td>\n<\/tr>\n
Mu\u00f1equita de arrabal<\/td>H\u00e9ctor Varela<\/td>Ernesto Herrera & Armando Laborde<\/td>1959<\/td>Milonga<\/td>c1959~ Tit\u00ed Rossi \/ Alfredo Dalton<\/td>\n<\/tr>\n
Qui\u00e9n te quiere como yo<\/td>H\u00e9ctor Varela<\/td>Ernesto Herrera<\/td>1958<\/td>Milonga<\/td>S. Alonso - R. Gramajo - H\u00e9ctor Varela<\/td>\n<\/tr>\n
Struttin' with some barbeque<\/td>Louis Armstrong orchestra<\/td><\/td>1938<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Nada<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>1944<\/td>Tango<\/td>c1944 Jos\u00e9 Dames \/ Horacio Sanguinetti<\/td>\n<\/tr>\n
Verdemar<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>1943<\/td>Tango<\/td>c1943 Carlos Di Sarli \/ Jos\u00e9 Mar\u00eda Contursi<\/td>\n<\/tr>\n
Mari\u00f3n<\/td>Miguel Cal\u00f3<\/td>Ra\u00fal Iriarte<\/td>1943<\/td>Tango<\/td>Luis Rubistein c1943 \/ Luis Rubistein<\/td>\n<\/tr>\n
I double dare you<\/td>Louis Armstrong orch<\/td><\/td>1938<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Organito de la tarde<\/td>Carlos Di Sarli<\/td><\/td>1954<\/td>Tango<\/td>c1923 C\u00e1tulo Castillo \/ Jos\u00e9 Gonz\u00e1lez Castillo<\/td>\n<\/tr>\n
El once (A divertirse)<\/td>Carlos Di Sarli<\/td><\/td>1954<\/td>Tango<\/td>c1924 Osvaldo Fresedo \/ Emilio Augusto Oscar Fresedo<\/td>\n<\/tr>\n
La cumparsita<\/td>Carlos Di Sarli<\/td><\/td>1955<\/td>Tango<\/td>c1916~ Gerardo Matos Rodriguez<\/td>\n<\/tr>\n
La cumparsita (Si supieras)<\/td><\/td>Susana Rinaldi<\/td>2006<\/td>Tango \u2013 Cont\/Vcl\/Electro<\/td>c1916~ Gerardo Matos Rodriguez \/ Pascual Contursi & Enrique Pedro Maroni<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

A milonga in El Cramo Reykjav\u00edk. It was a short one, only two hours from 10\u201312 p.m.<\/p>","protected":false},"author":2,"featured_media":715,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-milonga-sets"],"_links":{"self":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/comments?post=838"}],"version-history":[{"count":1,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/838\/revisions"}],"predecessor-version":[{"id":839,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/838\/revisions\/839"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media\/715"}],"wp:attachment":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media?parent=838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/categories?post=838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/tags?post=838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}