{"id":846,"date":"2020-01-31T23:59:50","date_gmt":"2020-01-31T23:59:50","guid":{"rendered":"https:\/\/artinfo.is\/?p=846"},"modified":"2020-02-01T09:57:13","modified_gmt":"2020-02-01T09:57:13","slug":"milonga-el-cramo-in-reykjavik-31-january-2020","status":"publish","type":"post","link":"https:\/\/artinfo.is\/is\/milonga-sets\/milonga-el-cramo-in-reykjavik-31-january-2020\/","title":{"rendered":"Milonga El Cramo in Reykjav\u00edk 31 January 2020"},"content":{"rendered":"

A milonga in El Cramo Reykjav\u00edk. The first hour, from 9\u201310, was a practica, followed by a two hour milonga, from 10\u201312 p.m. Tonight was a bustling crowd, with a lot of both dancing and socialising all to the end, one birthday walw and a Big Ben cortina at 11 p.m. to show our sympathies with our British friends.<\/p>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Name<\/th>Bandleader<\/th>Vocals<\/th>Year<\/th>Genre<\/th>Composer<\/th>\n<\/tr>\n<\/thead>\n
A las siete en el caf\u00e9<\/td>Miguel Cal\u00f3<\/td>Jorge Ortiz<\/td>1943<\/td>Tango<\/td>c1943~ Armando Baliotti \/ Santiago Luis D. Adamini<\/td>\n<\/tr>\n
Barrio de tango<\/td>Miguel Cal\u00f3<\/td>Jorge Ortiz<\/td>1943<\/td>Tango<\/td>c1942 An\u00edbal Troilo \/ Homero Manzi<\/td>\n<\/tr>\n
Pa' qu\u00e9 seguir<\/td>Miguel Cal\u00f3<\/td>Jorge Ortiz<\/td>1943<\/td>Tango<\/td>c1942 Francisco Fiorentino \/ Pedro Lloret<\/td>\n<\/tr>\n
Ya sale el tren<\/td>Miguel Cal\u00f3<\/td>Jorge Ortiz<\/td>1943<\/td>Tango<\/td>c1943 Luis Rubistein \/ Luis Rubistein<\/td>\n<\/tr>\n
East St. Louis toodle-o<\/td>Duke Ellington orch-10<\/td><\/td>1927<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Muchachos comienza la ronda<\/td>Ricardo Tanturi<\/td>Enrique Campos<\/td>1943<\/td>Tango<\/td>c1943 Luis Porcellana \/ Leopoldo D\u00edaz V\u00e9lez<\/td>\n<\/tr>\n
Qu\u00e9 bien te queda (C\u00f3mo has cambiado)<\/td>Ricardo Tanturi<\/td>Enrique Campos<\/td>1943<\/td>Tango<\/td>c1943~ Vicente Salerno \/ Juan Florencio Mazaroni<\/td>\n<\/tr>\n
As\u00ed se canta<\/td>Ricardo Tanturi<\/td>Enrique Campos<\/td>1943<\/td>Tango<\/td>c1943~ El\u00edas Randal \/ Elizardo Mart\u00ednez Vilas<\/td>\n<\/tr>\n
Oigo tu voz<\/td>Ricardo Tanturi<\/td>Enrique Campos<\/td>1943<\/td>Tango<\/td>c1943~ Mario Canaro \/ Francisco Garc\u00eda Jim\u00e9nez<\/td>\n<\/tr>\n
It's glory<\/td>Duke Ellington orch-12<\/td><\/td>1931<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Desde el alma<\/td>Juan D'Arienzo<\/td><\/td>1935<\/td>Vals<\/td>c1911 Rosita Melo<\/td>\n<\/tr>\n
Penas de amor<\/td>Juan D'Arienzo<\/td><\/td>1935<\/td>Vals<\/td>c1933~ Augusto Pedro Berto \/ Jes\u00fas Fern\u00e1ndez Blanco<\/td>\n<\/tr>\n
Francia<\/td>Juan D'Arienzo<\/td><\/td>1935<\/td>Vals<\/td>c1935~ Octavio Barbero \/ Carlos Pesce<\/td>\n<\/tr>\n
Cocktails for two - take 2<\/td>Duke Ellington orch-12<\/td><\/td>1934<\/td>Cortina<\/td><\/td>\n<\/tr>\n
A la gran mu\u00f1eca<\/td>Francisco Lomuto<\/td>Jorge Omar<\/td>1936<\/td>Tango<\/td>c1919 Jes\u00fas Ventura \/ Miguel Os\u00e9s<\/td>\n<\/tr>\n
El cornet\u00edn del tranv\u00eda<\/td>Francisco Lomuto<\/td>Jorge Omar<\/td>1938<\/td>Tango<\/td>c1937 Antonio Oscar Arona \/ Armando Tagini<\/td>\n<\/tr>\n
Vendr\u00e1s alguna vez<\/td>Francisco Lomuto<\/td>Jorge Omar<\/td>1938<\/td>Tango<\/td>c1938~ Alfredo Malerba \/ Luis C\u00e9sar Amadori<\/td>\n<\/tr>\n
Dejame con mis penas<\/td>Francisco Lomuto<\/td>Jorge Omar<\/td>1940<\/td>Tango<\/td>c1940 ~ Francisco Lomuto \/ Oscar Lomuto<\/td>\n<\/tr>\n
Me and you<\/td>Duke Ellington orch-15<\/td><\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
La torcacita<\/td>Enrique Rodriguez<\/td><\/td>1940<\/td>Tango<\/td>c1940~ Jos\u00e9 Mart\u00ednez \/ Francisco Antonio Lio<\/td>\n<\/tr>\n
Expresi\u00f3n campera<\/td>Enrique Rodriguez<\/td><\/td>1942<\/td>Tango<\/td>c1942~ Jos\u00e9 Mart\u00ednez \/ Jos\u00e9 Mart\u00ednez<\/td>\n<\/tr>\n
El morochito<\/td>Enrique Rodriguez<\/td><\/td>1941<\/td>Tango<\/td>c1912~ Vicente Greco \/ Ger\u00f3nimo Gradito<\/td>\n<\/tr>\n
Cotton tail<\/td>Duke Ellington orch-15<\/td><\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Vivo sin sombra, lejos de ti<\/td>Edgardo Donato<\/td>Horacio Lagos<\/td>1938<\/td>Vals<\/td>Edgardo Donato - Carlos Pesce<\/td>\n<\/tr>\n
Mar\u00eda<\/td>Edgardo Donato<\/td>Horacio Lagos<\/td>1937<\/td>Vals<\/td>c1927~ Juan de Dios Filiberto \/ Juan Miguel Velich<\/td>\n<\/tr>\n
Volver\u00e1s... pero cu\u00e1ndo?<\/td>Edgardo Donato<\/td>Horacio Lagos & Lita Morales & Romeo Gavioli<\/td>1940<\/td>Vals<\/td>c1940~ Sebasti\u00e1n Piana \/ Homero Manzi<\/td>\n<\/tr>\n
Bojangles<\/td>Duke Ellington orch-15<\/td><\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Barrio de tango<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>1942<\/td>Tango<\/td>c1942 An\u00edbal Troilo \/ Homero Manzi<\/td>\n<\/tr>\n
Qu\u00eden tuviera dieciocho a\u00f1os<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>1944<\/td>Tango<\/td>c1931~ Guillermo Barbieri \/ Guillermo Barbieri<\/td>\n<\/tr>\n
Viejo coche<\/td>\u00c1ngel D'Agostino<\/td>\u00c1ngel Vargas<\/td>1942<\/td>Tango<\/td>c1926~ Eduardo Pereyra \/ Celedonio Flores<\/td>\n<\/tr>\n
Harlem air-shaft (Rumpus in Richmond)<\/td>Duke Ellington orch-15<\/td><\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
La maleva<\/td>Francisco Canaro<\/td><\/td>1938<\/td>Tango<\/td>c1922 Antonio Buglione \/ Mario Alberto Pardo<\/td>\n<\/tr>\n
Ciertos amores<\/td>Francisco Canaro<\/td><\/td>1938<\/td>Tango<\/td>c1938~ Rafael Canaro \/ Carmelo Santiago<\/td>\n<\/tr>\n
Sentimiento gaucho<\/td>Francisco Canaro<\/td><\/td>1940<\/td>Tango<\/td>c1924 Francisco Canaro & Rafael Canaro \/ Juan Andr\u00e9s Caruso<\/td>\n<\/tr>\n
Take the \"A\" train<\/td>Duke Ellington orch-15<\/td><\/td>1941<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Amor y vals<\/td>Rodolfo Biagi<\/td>Alberto Lago<\/td>1942<\/td>Vals<\/td>c1942~ Rodolfo Biagi \/ Carlos Bahr<\/td>\n<\/tr>\n
Aroma de amor<\/td>Rodolfo Biagi<\/td>Alberto Amor<\/td>1946<\/td>Vals<\/td>c1945~ Rom\u00e1n Jur\u00ed \/ Carlos Waiss<\/td>\n<\/tr>\n
Tu melod\u00eda<\/td>Rodolfo Biagi<\/td>Jorge Ortiz<\/td>1945<\/td>Vals<\/td>c1944~ Alberto Su\u00e1rez Villanueva \/ Oscar Rubens<\/td>\n<\/tr>\n
Jumpin' punkins - take 1<\/td>Duke Ellington orch-15<\/td><\/td>1941<\/td>Cortina<\/td><\/td>\n<\/tr>\n
El retirao (Retirao)<\/td>Carlos Di Sarli<\/td><\/td>1939<\/td>Tango<\/td>c1927~ Carlos Posadas<\/td>\n<\/tr>\n
Catamarca<\/td>Carlos Di Sarli<\/td><\/td>1940<\/td>Tango<\/td>c1931~ Eduardo Arolas \/ Jes\u00fas Fernandez Blanco<\/td>\n<\/tr>\n
La trilla<\/td>Carlos Di Sarli<\/td><\/td>1940<\/td>Tango<\/td>c1916~ Eduardo Arolas \/ H\u00e9ctor Polito<\/td>\n<\/tr>\n
Milonguero viejo<\/td>Carlos Di Sarli<\/td><\/td>1940<\/td>Tango<\/td>c1926 Carlos Di Sarli \/ Enrique Carrera Sotelo<\/td>\n<\/tr>\n
Just a-sittin' and a-rockin'<\/td>Duke Ellington orch-15<\/td><\/td>1941<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Soy una fiera<\/td>Alfredo De Angelis<\/td>Oscar Larroca<\/td>1954<\/td>Milonga<\/td>c1926~ Francisco Isidro Martino \/ Francisco Isidro Martino<\/td>\n<\/tr>\n
Corralera<\/td>Alfredo De Angelis<\/td><\/td>1956<\/td>Milonga<\/td>Anselmo Aieta<\/td>\n<\/tr>\n
El otario<\/td>Alfredo De Angelis<\/td><\/td>1950<\/td>Milonga<\/td>c1912~ Gerardo Metallo \/ Juan Miguel Velich<\/td>\n<\/tr>\n
Raincheck<\/td>Duke Ellington orch-15<\/td><\/td>1941<\/td>Cortina<\/td><\/td>\n<\/tr>\n
El choclo<\/td>Tango negro trio<\/td><\/td>2003<\/td>Tango <\/td>c1903 \u00c1ngel Villoldo<\/td>\n<\/tr>\n
Tango que me hiciste mal<\/td>Tango negro trio<\/td><\/td>2003<\/td>Tango<\/td><\/td>\n<\/tr>\n
La retirada<\/td>Tango negro trio<\/td><\/td>2003<\/td>Tango<\/td><\/td>\n<\/tr>\n
Perdido - take 1<\/td>Duke Ellington orch-15<\/td><\/td>1942<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Comme il faut<\/td>An\u00edbal Troilo<\/td><\/td>1938<\/td>Tango<\/td>Eduardo Arolas:Com<\/td>\n<\/tr>\n
El tamango<\/td>An\u00edbal Troilo<\/td><\/td>1941<\/td>Tango<\/td>c1941~ Carlos Posadas<\/td>\n<\/tr>\n
Tinta verde<\/td>An\u00edbal Troilo<\/td><\/td>1938<\/td>Tango<\/td>c1927~ Agust\u00edn Bardi<\/td>\n<\/tr>\n
Someone<\/td>Duke Ellington orch-15<\/td><\/td>1942<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Sue\u00f1a<\/td>Miguel Cal\u00f3<\/td>Alberto Podest\u00e1<\/td>1954<\/td>Vals<\/td><\/td>\n<\/tr>\n
Manos adoradas<\/td>Miguel Cal\u00f3<\/td>Juan Carlos Fabri<\/td>1952<\/td>Vals<\/td>c1951~ Roberto Rufino \/ Horacio Sanguinetti<\/td>\n<\/tr>\n
La barquilla<\/td>Miguel Cal\u00f3 \/ Trio los Halcones <\/td>Carlos Almagro<\/td>1955<\/td>Vals<\/td><\/td>\n<\/tr>\n
Black beauty<\/td>Duke Ellington orch-17<\/td><\/td>1945<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Cart\u00f3n junao<\/td>Juan D'Arienzo<\/td>Alberto Echag\u00fce<\/td>1947<\/td>Tango<\/td>c1947~ Juan D'Arienzo, H\u00e9ctor Varela \/ Carlos Waiss<\/td>\n<\/tr>\n
Cambalache<\/td>Juan D'Arienzo<\/td>Alberto Echag\u00fce<\/td>1947<\/td>Tango<\/td>c1935 Enrique Santos Disc\u00e9polo \/ Enrique Santos Disc\u00e9polo<\/td>\n<\/tr>\n
Nac\u00ed en Pompeya<\/td>Juan D'Arienzo<\/td>Alberto Echag\u00fce<\/td>1949<\/td>Tango<\/td>c1949~ Natty Paredes \/ Jos\u00e9 R\u00f3tulo<\/td>\n<\/tr>\n
Barajando<\/td>Juan D'Arienzo<\/td>Alberto Echag\u00fce<\/td>1948<\/td>Tango<\/td>Nicol\u00e1s Vaccaro; Eduardo Escaris M\u00e9ndez<\/td>\n<\/tr>\n
You, you darlin'<\/td>Duke Ellington orch-15<\/td>Herb Jeffries<\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Milonga de mis amores<\/td>Color Tango<\/td><\/td>1998<\/td>Milonga<\/td>c1937 Pedro Laurenz \/ Jos\u00e9 Mar\u00eda Contursi<\/td>\n<\/tr>\n
Mano brava<\/td>Color Tango<\/td><\/td>2003<\/td>Milonga<\/td>c1941 Manuel Buz\u00f3n \/ Enrique Cad\u00edcamo<\/td>\n<\/tr>\n
De mi corral<\/td>Color Tango<\/td><\/td>2009<\/td>Milonga<\/td><\/td>\n<\/tr>\n
So far, so good<\/td>Duke Ellington orch<\/td>Ivie Anderson<\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Ojos maulas<\/td>Osvaldo Pugliese<\/td>Roberto Chanel<\/td>1947<\/td>Tango<\/td>c1931~ Luis Bernstein \/ Alfredo Faustino Rold\u00e1n<\/td>\n<\/tr>\n
Sin l\u00e1grimas<\/td>Osvaldo Pugliese<\/td>Roberto Chanel<\/td>1946<\/td>Tango<\/td>c1946~ Charlo \/ Jos\u00e9 Mar\u00eda Contursi<\/td>\n<\/tr>\n
Yo te bendigo<\/td>Osvaldo Pugliese<\/td>Roberto Chanel<\/td>1947<\/td>Tango<\/td>c1925 Juan de Dios Filiberto \/ Julio Buron<\/td>\n<\/tr>\n
Galleguita<\/td>Osvaldo Pugliese<\/td>Roberto Chanel<\/td>1945<\/td>Tango<\/td>c1924 Horacio Pettorossi \/ Alfredo Navarrine<\/td>\n<\/tr>\n
Five o'clock whistle<\/td>Duke Ellington orch-15<\/td>Ivie Anderson<\/td>1940<\/td>Cortina<\/td><\/td>\n<\/tr>\n
Recuerdo<\/td>Ricardo Tanturi<\/td><\/td>1942<\/td>Tango<\/td>c1924 Osvaldo Pugliese \/ Eduardo Moreno<\/td>\n<\/tr>\n
Adi\u00f3s pueblo<\/td>Ricardo Tanturi<\/td><\/td>1941<\/td>Tango<\/td>c1928~ Agust\u00edn Bardi \/ Jos\u00e9 Pedro de Grandis<\/td>\n<\/tr>\n
La cumparsita<\/td>Ricardo Tanturi<\/td><\/td>1940<\/td>Tango<\/td>c1916~ Gerardo Matos Rodriguez<\/td>\n<\/tr>\n
La cumparsita (Si supieras)<\/td>Hayd\u00e9e Alba trio<\/td>Hayd\u00e9e Alba<\/td>1990<\/td>Tango<\/td>c1916~ Gerardo Matos Rodriguez \/ Pascual Contursi & Enrique Pedro Maroni<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

A milonga in El Cramo Reykjav\u00edk. The first hour, from 9\u201310, was a practica, followed by a two hour milonga, from 10\u201312 p.m. Tonight was a bustling crowd, with a lot of both dancing and socialising all to the end, one birthday walw and a<\/p>","protected":false},"author":2,"featured_media":715,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-846","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-milonga-sets"],"_links":{"self":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/comments?post=846"}],"version-history":[{"count":1,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/846\/revisions"}],"predecessor-version":[{"id":847,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/posts\/846\/revisions\/847"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media\/715"}],"wp:attachment":[{"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/media?parent=846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/categories?post=846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artinfo.is\/is\/wp-json\/wp\/v2\/tags?post=846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}